Four disciplines. One continuous archive.
A 22-minute documentary essay on the perception of stillness in athletic movement. Shot over three seasons. No narration — only texture and breath.
Short film on the border between effort and surrender. Filmed during a ten-day residency in Iceland. Raw, minimal, unscripted.
A visual study of physical endurance as memory. Long-form movement sequences edited to ambient score. Selected for private screening.
40 photographs documenting high-altitude landscapes in varying light conditions. Monochrome. Large format. Printed on archival matte.
Portrait series shot entirely in controlled darkness. Subjects emerge from shadow through precision lighting. The face as relief. The body as architecture.
Topographic surfaces photographed at macro-scale. Stone, water, time. 15 works printed at 120 × 80 cm on archival paper.
Multi-day traversals across the Valais, Ötztal and Julian Alps. Documented through GPS data, personal notation and selected images. Three routes, eleven days total.
Personal ultramarathon achievement. Full documentation of the eight-month preparation block, race execution and recovery process.
Ongoing analysis of athletic movement patterns combining biometric data, video and manual annotation. A private performance archive.
Biometric data — heart rate, breath and movement — converted into compositional material. An ongoing intersection of science and sound.
A series of instrumental compositions exploring resonance, decay and spatial sound design. Recorded in live sessions with minimal post-processing. 12 tracks.
30 days of deliberate sensory reduction. A written and visual journal of the perceptual shifts that emerged in the absence of artificial sound.
This archive is private.
Access and collaboration by invitation.
© 2010–2025 · All work retained by the author
